2016 Autumn Chinese Paintings & Calligraphy (Part I)

Nov. 11 at 10:00 am
Hotel Kunlun Beijing


The Company will no longer mark "*" on the prohibited lots, the buyer will Apply to the relevant departments for the examination of cultural relics exit procedures. Selling prices are inclusive of 15% buyer's premium.

Lot 54

WU HUFAN  TEMPLE IN THE ANTUMN MOUNTAIN

Mounted, ink and color on paper.

1942

Estimate(RMB): 3,000,000-3,800,000

Estimate(USD): 441,177-558,824

Selling Price(RMB): 3,680,000

Signed Wu Hufan, dated renwu,1942, with three seals of the artist.

题识:种药为生业,弹琴悦性灵。中宵煮白石,平旦诵黄庭。茶熟眠初起,儿扶酒半醒。意行无定处,猿鸟共忘形。
壬午冬日昼寝,梦游是处,似曾相识,究不知是真是幻。恍惚久之,即秉笔写之,大有清湘意味。殆一僧者即大涤耶。因录放翁诗补空。董文敏曰:画境与诗题,正不必合也。倩盦吴湖帆识。
钤印:倩盦画印、算如此溪山甚时重至、梅景书屋

SIZE: 76×43 cm. 约2.9平尺

PUBLISH

《梅景画笈》图版33,梅景书屋,1943年

DESCRIPTION

说明:上世纪四十年代是吴湖帆山水发展的盛期,这一阶段的作品最能体现他的艺术成就。1942年的《梦游种药》写梦中之景,一灰袍僧人孤立在山崖环抱的古寺旁,似与尘世隔绝,清新明朗。画家自言此幅有“清湘意味”,清湘即清初四僧之一石涛。吴湖帆山水自四王上溯明四家、宋元诸贤,簪缨世家的出身,决定其审美追求含蓄典雅,故绘画的取法亦大致不脱正统一脉。石涛虽属野逸派,但他以明末贵胄之身出家为僧,进而成为画坛鼎革之际的代表人物,下笔自有清华超逸气息,故成为吴湖帆倾服的对象。此幅中远山的渲染、滋润的笔墨、草木的恣肆蓊郁之态,均极得石涛神韵。
1942年,抗战方殷,吴湖帆幽居沪上,心情之郁闷可以想见。石涛生逢乱世,遁入空门,或许正契合了画家内心深处的某种向往,“殆一僧即大涤耶”,梦中与石涛神会,写石涛,亦正是写自己。又以隶书长题陆游描写山居生活的《山家·首三》,虽托言“画境与诗题正不必合也”,但传达出的遁隐避世的心境却是一致的。通幅笔墨华滋,气韵生动,仿如快活的美梦,属写心、自赏之作。

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